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leodoulton
Nov 15, 20221 min read
I am the one who mops: a cult-like philosophy of directing
I am a firm believer that process defines output. One reason for UK theatre’s distinctive feeling (and comparative lack of...
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leodoulton
Oct 21, 20223 min read
Coming To Come Bargain With Uncanny Things Strand 3: No Hero, No Journey
This blog is part of a series on how I came to write Come Bargain With Uncanny Things (tickets available now!). If you want to read the...
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leodoulton
Sep 25, 202211 min read
The sovereign is dead. So too the nation?
Disclaimer: I'm sure there's many flaws in the below; I'm not 100% convinced by it myself, though can't quite work out why. Please do...
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leodoulton
Jul 30, 202219 min read
On Being The Dead: Interactive Theatre & Historical Figures
Introduction: On Being Survivors A major part of my creative practice has been creative outreach projects for UCL’s Hebrew & Jewish...
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leodoulton
Jun 26, 202220 min read
Reality and Justice: On naturalism, verismo, and Puccini.
Prologue I am at times, an academic, and one of my specialisms is in the aesthetic philosophy of opera (in short, the ways people justify...
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leodoulton
Jan 30, 20229 min read
A Fortnight at Aldeburgh (Part 1): A Conversation With Le Guin About Community & Interactive Theatre
This is the first of a seven-part sequence of essays going into the work on Come Bargain With Uncanny Things done during my Creative...
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leodoulton
Mar 27, 20212 min read
What happens if you analyse opera like a TTRPG? - Part 3 - What Social Theory Can A Game Opera Have?
This will make very little sense unless you've read the first part (on TTRPGs) here, or the second part (on opera as a social game) here....
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leodoulton
Mar 27, 20214 min read
What happens if you analyse opera like a TTRPG? - Part 2, opera as social game
This will make a lot more sense if you've read the first part here. At first, I thought I’d do this via the Marxian models I tend to use....
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leodoulton
Feb 14, 20218 min read
The Unimaginable Liberation Of The Singer - The Nice and the Radical
At a the latest Devoted and Disgruntled conference, I called a session asking for ideas for a utopian opera festival. One thing that...
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leodoulton
Dec 19, 202012 min read
Pratchett and Le Guin: A Comparison
I have a bookshelf I think of as my ‘grab in case of fire’ shelf. It is a collection of books that variously moved me to tears, changed...
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leodoulton
Nov 5, 20206 min read
Le Guin and the inhumanity of Zoom
Thank you for reading this. I’m only writing it so that I actually write today. Finished the last show on my books the other day. Between...
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leodoulton
Apr 3, 20207 min read
Not a war, and yet important: some thoughts on COVID-19, metaphors, and values.
On the Channel 4 news tonight there was a nurse from Northern Ireland. She said that the only way she could describe the feeling of...
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leodoulton
Mar 8, 20201 min read
Living As A Cyborg
Recently, I read Haraway's excellent book "Staying with the trouble: making kin in the Chthulucene." Excellent used deliberately. Would...
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leodoulton
May 4, 20194 min read
The Problem With Stories
On Monday I had an excellent time at UCL Culture’s first-ever UCL Performance Lab Symposium. I was lucky enough to lead a breakaway...
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leodoulton
Dec 15, 20182 min read
Some thoughts on empathy and feeling.
Months ago, I wrote down “Empathy ≠ Feeling. Gormenghast the Opera.” This is my attempt to work out what I meant by that. In short, I was...
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leodoulton
Nov 28, 20182 min read
In Defence Of Indefensible Pity?
I have seen many artistic lefties grow wrathful over those who say they pity Theresa May in the past few days. This strikes me as odd....
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