LEO DOULTON

First: it worked. You can make an opera without a score, where the audience have genuine control of the outcome, which can adapt to...

This will make very little sense unless you've read the first part (on TTRPGs) here, or the second part (on opera as a social game) here....

This will make a lot more sense if you've read the first part here. At first, I thought I’d do this via the Marxian models I tend to use....

I’m currently reworking the game rules used in We Sing/I Sang (working title for the rules: ‘Our People’s Song’). I’m not an expert game...

At a the latest Devoted and Disgruntled conference, I called a session asking for ideas for a utopian opera festival. One thing that...

Lockdown has caused a rash of online opera, so I thought I'd write a bit about my experiences with opera for film - whether researching...

Sometimes I write blogs to clarify my thoughts about matters of theatrical theory and practice. Today I'm doing it because tomorrow is my...

I recently said this on Twitter about working on Don Giovanni: I've been thinking it for a while as I work on this production of Don...

UPDATE: some dates have changed. Please see more recent blog posts for the latest information. TL;DR: I have some upcoming projects to...