LEO DOULTON

A while ago, I passed Stonehenge in a car. It remains striking. Here are some thoughts on it as a piece of stage design, given that most...

Or: some thoughts and reflections on my first time at a Punchdrunk show. This blog is unusually indebted to those people I discussed the...

This blog is part of a series on how I came to write Come Bargain With Uncanny Things (tickets available now!). If you want to read the...

This weekend, something extraordinary is happening. Because about 20 years ago, some people did something pretty extraordinary. A group...

Cosmic horror is a genre essentially defined as “the horror of existing in a vast, uncaring universe beyond what we can understand or...

Introduction: On Being Survivors A major part of my creative practice has been creative outreach projects for UCL’s Hebrew & Jewish...

I remember once listening to an interactive theatre maker talking about one of the most disappointing immersive shows they’d ever seen;...

Paul Shapera is (probably) the most prolific opera composer of the 21st century. He’s also the one my operatic peers are least likely to...

About a fortnight ago, I was lucky enough to go and see Operation Mincemeat at the Southwark Playhouse. At the end of Act 1, my companion...