LEO DOULTON

That tile was clickbait nonsense. But hey, you clicked anyway. So, let’s be serious: almost all interactive immersive theatre is what I’m...

Having been to a few mixed-age shows of late, I am having thoughts and erupting into Blog. By ‘mixed-age shows’, what I mean is shows...

Last week (here: https://www.leodoulton.com/post/genre-as-onboarding) I mentioned that I wanted to write an article about this. And so I...

This article is riffing off the above Chloe Mashiter Tweet, especially a conversation in the comments about being a Tourist or a Resident...

A while ago, I was on an interactive theatre training course which mentioned that many mechanics (i.e. ways the audience can influence...

So, London boutique immersive theatre now has a second space to join the much-loved Colab Tavern: the Parabolic Crypt. Both are amazing...

About a fortnight ago, I was lucky enough to go and see Operation Mincemeat at the Southwark Playhouse. At the end of Act 1, my companion...

This is the fifth in a seven-part sequence of blogs going into the work on Come Bargain With Uncanny Things done during my Creative...

This is the fourth in a seven-part sequence of blogs going into the work on Come Bargain With Uncanny Things done during my Creative...

This is the third in a seven-part sequence of blogs going into the work on Come Bargain With Uncanny Things done during my Creative...

This is the second in a seven-part sequence of essays going into the work on Come Bargain With Uncanny Things done during my Creative...

This is the first of a seven-part sequence of essays going into the work on Come Bargain With Uncanny Things done during my Creative...

First: it worked. You can make an opera without a score, where the audience have genuine control of the outcome, which can adapt to...

This will make very little sense unless you've read the first part (on TTRPGs) here, or the second part (on opera as a social game) here....

I’m currently reworking the game rules used in We Sing/I Sang (working title for the rules: ‘Our People’s Song’). I’m not an expert game...

Thank you for reading this. I’m only writing it so that I actually write today. Finished the last show on my books the other day. Between...

On Monday I had an excellent time at UCL Culture’s first-ever UCL Performance Lab Symposium. I was lucky enough to lead a breakaway...

Months ago, I wrote down “Empathy ≠ Feeling. Gormenghast the Opera.” This is my attempt to work out what I meant by that. In short, I was...

I have seen many artistic lefties grow wrathful over those who say they pity Theresa May in the past few days. This strikes me as odd....